Museum Paper

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Term Paper
Formal Analysis & Stylistic Analysis

Choose an artwork of your own liking from the Metropolitan Museum of Art, Museum of Modern Art or The Brooklyn Museum

In a minimum and maximum of 3 pages, double-spaced, 12 point font, apply at least 2 ( no more than 3) of the Formal Elements discussed in the ‘Starter Kit’ of your text book to your chosen artwork.

-Formal Elements are qualities of Line, Shape, Color, Light, Texture, Space, Mass, Volume and Composition.

*this assignment is NOT asking for the history or function of the artwork. You may discuss this briefly but your paper must be written with the main objectives on the formal analysis of the chosen object.

Stylistic Analysis of object from your museum visit
You need to ALSO look at the object you choose and talk about style.
Discuss how an object fits into a particular stylistic category—for example, Pre-Historic, Greek/Roman, Impressionism, Renaissance, Modern, African etc.
– You must focus on the formal qualities of the object, but this time you will need to make a conclusion about one of the following:
1. how the work fits the stylistic category
2. how the work does not fit the category
SAMPLE PAPER BELOWW**** Please make my paper in this format and structured like the one below
Sample Paper #1
[Student Name]
[Assignment Name]
[Date]
[Instructor’s Name]
Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482) (1984) by
Andy Warhol
acrylic and silkscreen ink on linen
Viewed at Arkansas Arts Center Andy Warhol exhibition (October 28, 2008)
A Modern Venus
Andy Warhol’s piece titled Details of Renaissance Paintings (Sandro Botticelli,
Birth of Venus, 1482) represents the face of the goddess Venus. This piece was made in
1984 as a depiction of the face of Venus from the earlier painting The Birth of Venus by
Sandro Botticelli that was completed in 1482. The piece’s present location is the
Arkansas Arts Center, and its original location is the Andy Warhol Museum in
Pittsburgh, Pennsylvania. The piece is acrylic and silkscreen ink on linen, and it can only
be seen from one side because it is hanging on the wall.
The work is a colorful representation of the face of the goddess Venus as depicted
earlier in The Birth of Venus by Botticelli. However, Warhol uses more colors in his
work. Venus’s face and neck are pink while her hair is black, red, orange, and yellow. In
contrast, the background is a solid light blue color. In Details of Renaissance Paintings,
Venus’s face and hair are emphasized and the dominant elements are her hair because of
the warm colors and her gaze.
Warhol uses implied lines to direct viewers’ eyes around the artwork. The
implied lines are the strands of Venus’s hair that direct viewers’ eyes to the right bottom,
middle, and top because the strands are going in each of these directions. One bundle of
hair goes down to the bottom of the piece on the left side close to her face. This bundle
of hair brings some direction to the left side, but not a lot because the left side is mostly
empty. However, this emptiness is balanced asymmetrically by Venus’s gaze toward the
bottom left corner and the light color used in the empty space. The light color of the
empty space is visually light; therefore, it does not have as much weight as the darker,
warmer colors of Venus’s face and hair. This visual lightness along with Venus’ gaze is
strong enough to balance the multitude of hair and part of a flower on the right side.
This artwork is composed of shapes because it is two-dimensional. Most of the
shapes are formed by lines and shifts in color. For example, Venus’s red hair is formed
by a shift from the blue background and her pink upper body. Lines outlining her hair in
certain places also give form to the shape of her hair. Therefore, both lines and shift in
color are used together in some places and separate in other places to create the shapes in
the artwork.
In this piece, the light source is not seen. However, the light source is to the left
of the artwork because Warhol uses a light yellow color on top of the pink color that is
already present on the left side of Venus’s face which makes it seem like a glow is cast
upon her face. Warhol’s use of warm colors for Venus, her hair, and the plant in the top
right corner contrasts with the light blue background. These warm colors make her stand
out from the background. Also, the warm colors against a calming blue background give
Venus an ethereal quality.
Warhol’s use of colors also creates unity and variety. His use of warm colors
throughout the piece and his use of one solid-colored background create unity in the
artwork. However, the contrast between warm colors and the cool color create variety.
The flower in the top right corner also creates variety because it is not a part of Venus,
who is the focus. The flower is the only other thing in the artwork besides Venus which
makes the viewer question its purpose.
The placement of Venus’s hair and the curves of her hair create a sense of motion.
One bundle of her hair is at the bottom of the artwork. Another few bundles are in the
middle and are slightly separated. Another bundle of hair is at the top of the artwork. All
of these bundles are curvy to suggest movement as if her hair is being blown gently by
the wind.
Warhol’s use of colors gives Venus a modern look instead of the traditional white
color used in The Birth of Venus that symbolized purity. The pink color used for her
body makes Venus seem bold and strong, not just beautiful, as a female goddess should
be. Warhol further shows this by only depicting her face down to her shoulders and not
including her breasts and other sensual parts that are included in The Birth of Venus.
Through his use of color, Warhol created a different symbol of boldness and strength for
Venus instead of the traditional symbol of beauty. This boldness and strength coincides
with the role of women in modern society because women today are taught that they can
accomplish anything and everything while being independent.

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